Kusama obliteration room4/16/2023 ![]() Kusama's ability to communicate her artistic vision through various mediums is explored and documented.". "One of the most iconic and revolutionary artists of our time, internationally renowned for her boundary-pushing work on themes such as infinity, self-image, sexuality and compulsive repetition. This updated monograph is richly illustrated and serves as as an unparalleled guide to the work of one the most eccentric artists alive."- Mint (India) "Yayoi Kusama is as close as one can get to being called a legend while alive. "Yayoi Kusama comes with a pedigree of film and orchestrated happenings and performance in New York during the 1960s and the 1970s that was every bit as avant-garde as Warhol."- The Art Review Power 100 It is produced by the interaction of the two close somewhat parallel planes, at points merging at the surface and at others diverging slightly but powerfully." - Donald Judd "The effect of Kusama's work is both so complex and simple. "When people look back at Kusama's work decades from now, they'll see that her idea of creation and infinity has an eternal endurance." - Marc Jacobs This revised and expanded edition of the 2000 monograph, which is arguably still one of the most comprehensive studies on her work to date, has been augmented by an essay by Catherine Taft and a collection of new poems by the artist. A well-known name in the Manhattan scene of the 1960s, Kusama's subsequent work combined Psychedelia and Pop culture with patterning, often resulting in participatory installations and series of paintings. Kusama is internationally renowned for her groundbreaking work on themes such as infinity, self-image, sexuality, and compulsive repetition. "Yayoi Kusama transcended the art world to become a fixture of popular culture, in a league with Andy Warhol, David Hockney, and Keith Haring." - The New York Times "Meant to be engaged with, the stuffed protuberances – which were multiplied through infinite reflection – enveloped the viewer, creating an almost psychosexual encounter with one’s own body and image."Īn updated edition of the acclaimed monograph, celebrating one of the most iconic and revolutionary artists of our time. "In her first installation incorporating mirrors, her 1965 work Infinity Mirror Room: Phalli’s Field, Kusama arranged hundreds of soft, phallic forms in a roughly 25 square-metre mirrored room," writes author and curator Catherine Taft in our newly updated Kusama monograph. However, the artist had certainly been building mirrored environments in her Manhattan studio since at least 1965. It's hard to verify this claim, as with many of the provocative public statements Kusama made around this time. In 1968, in a press release issued to promote an Alice in Wonderland-themed nude happening in Central Park, the Japanese-born artist Yayoi Kusama wrote, "Like Alice, who went through the looking-glass, I, Kusama, (who have lived for years in my famous, specially-built room entirely covered by mirrors), have opened up a world of fantasy and freedom." Going to her show at the Broad? Then uncover the history behind these hugely popular artworks before you do All images reproduced in our newly updated Yayoi Kusama monograph When Yayoi Kusama created her first ever Infinity Room Yayoi Kusama inside Kusama's Peep Show or Endless Love Show (1966).
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